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・ Moral panic
・ Moral particularism
・ Moral perception
・ Moral police
・ Moral policing
・ Moral Politics (book)
・ Moral psychology
・ Moral rationalism
・ Moral Re-Armament
・ Moral realism
・ Moral reasoning
・ Moral Reforma
・ Moral relativism
・ Moral responsibility
・ Moral rights
Moral rights in Canadian copyright law
・ Moral rights in United Kingdom law
・ Moral sense theory
・ Moral shock
・ Moral skepticism
・ Moral statistics
・ Moral status of animals in the ancient world
・ Moral suasion
・ Moral superiority
・ Moral support
・ Moral syncretism
・ Moral theology
・ Moral theology of John Paul I
・ Moral theology of John XXIII
・ Moral theology of Rowan Williams


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Moral rights in Canadian copyright law : ウィキペディア英語版
Moral rights in Canadian copyright law
Moral rights in Canadian copyright law are protected under the Copyright Act of Canada and include an author's right to attribution, integrity and association of a work. Moral rights are to be distinguished from economic rights; moral rights essentially being derived from the reflection of the author’s personality in his or her work, whereas economic rights grant an author the ability to benefit economically from their work. An author of a work retains moral rights for the length of the copyright, even if the copyright has been assigned or licensed to another party. Moral rights cannot be assigned or licensed, but can be waived by contract.〔David Vaver, ''Intellectual Property Law: Copyright, Patents'', Trade-Marks, 2nd ed (Toronto: Irwin Law, 2011) at 203-205.〕
==History==
Moral rights in Canada can be traced back to a 1915 amendment of the ''Criminal Code''. The amendment created a criminal offence to change a copyrighted dramatic, operatic or musical work that was to be publicly performed for profit or to suppress its title or authorship without the author’s consent.〔David Vaver, ''Intellectual Property Law: Copyright, Patents'', Trade-Marks, 2nd ed (Toronto: Irwin Law, 2011) at 204.〕 Canada also legislated moral rights into the ''Copyright Act'' in 1931, stemming from a revision of the ''Berne Convention for the Protection of Literary and Artistic Works'' in 1928. The provision was further clarified and expanded in 1988. In 2012, the ''Copyright Modernization Act'' added moral rights for aural and sound recorded performances.〔''Copyright Act'', RSC 1985, c C-42, s 17.1.〕

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